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AEG Presents Blackberry Smoke with The Chris Robinson Brotherhood
Thursday September 7


Available at The Amp Box Office at Pompano Citi Centre or Ticketmaster.com or call: 800-745-3000
Tickets: $29.50 to $39.50 plus applicable fees at Ticketmaster.com
For more information: call 954-519-5500

Blackberry Smoke and The Chris Robinson Brotherhood will take the stage at The Pompano Beach Amp for an exciting concert produced by AEG Presents. Expanding the Southern rock tradition, Blackberry Smoke has evolved from a rough-edged club act to arena-ready rock ‘n’ roll juggernauts. While the Chris Robinson Brotherhood, led by the ex-Black Crowes front man, are considered the new standard-bearers of the psychedelic roots torch.

Blackberry Smoke has never been a band that stands still. Whether pursuing thedream by logging hundreds of thousands of miles on America’s highways and abroad or relentlessly exploring the many facets of its most unique art form, the
Atlanta quintet is always on the move.

The songs on Blackberry Smoke’s sixth album, Like an Arrow, due October 14, show just how far this authentic American rock band has come as the accomplished group of musicians tackles a diverse set of new ideas, sounds and territories, long after most bands with half the success might have settled into a well-worn groove.

“We’re all likeminded in that we all want to explore,” singer and principal songwriter Charlie Starr said. “There’s just no way we could make the same record over and over again, though there are some fans who would like us to. That’s just way too formulaic. If the Beatles or Led Zeppelin did that, we wouldn’t love them as much.”

Like An Arrow continues the trend of sonic exploration established on the Blackberry Smoke’s previous two releases, 2012’s The Whippoorwill and 2015’s chart-topping Holding All the Roses. It kicks off with the band’s heaviest song to date and explores British rock before moving on to musical stops in places like Macon, Woodstock, Muscle Shoals and Tulsa as Starr and his buddies follow the ramblin’ examples of timeless, authentic acts like The Allman Brothers Band, JJ Cale, The Band and others who define rock ‘n’ roll in all its many facets.

“We just want the sound of the band to continue to grow and broaden. We’re not trying to make a hip-hop record,” Starr said with a laugh. “But there’s so many elements to what people call rock. There’s gospel and country and swing and blues. We’re just trying to write songs that include all those different types of elements. It keeps it interesting for musicians and songwriters.

You think, ‘Well, I don’t have a straitjacket on, I haven’t painted myself into a corner, so I can try and just make the most of this art form.’”  That’s what Starr, Paul Jackson (guitar), Brandon Still (keyboards), Brit Turner (drums) and Richard Turner (bass) have been doing for 16 years now after forming in 2001. The quintet’s blue-collar work ethic, road-dog attitude – the band averages 250 shows a year – and willingness to jam all night long have left Blackberry Smoke with a grassroots fan base that continues to grow show by show.

Holding All the Roses, produced by Grammy Award winner Brendan O’Brien, debuted at No. 1 on the Billboard Country Albums chart and No. 7 on the Rock Albums chart, proof of the band’s universality. Praised by fellow artists as diverse as Dierks Bentley and ZZ Top’s Billy Gibbons, Blackberry Smoke now delivers an album that should invite even more fans under its revival tent.

The Chris Robinson Brotherhood emerged in 2011 by playing close to 50 shows over nine weeks in California before ever leaving the Golden State or officially releasing music. Their introduction on the national stage came in 2012 when they’d release not one, but two acclaimed full-length albums within a few months of each other.

Critics hailed their sprawling debut, Big Moon Ritual, as a revelation, with The Independent raving that Robinson had “finally found the ideal vehicle to indulge his taste for ‘Cosmic California Music.'” The reviews were similarly ecstatic for its immediate follow-up, The Magic Door, which was praised by Relix as “classic rock in the finest sense.”

In 2014, they returned to the studio for Phosphorescent Harvest, a masterful collection that showcased the blossoming songwriting partnership between Robinson and Neal Casal. Rolling Stone raved that the album was “electrifying…boast[ing] a vintage rock vibe that’s at once quirky, trippy, soulful and downright magnetic,” and Guitar World called it “a treasure trove of soul that advances the band’s bluesy, kaleidoscopic sound.”

Writing, recording and creating at a compelling clip, while performing an ever-growing number of sold out shows across the U.S., Robinson is as energized as he’s ever been in what’s already been a long and historic career as one of rock music’s most prolific and successful songwriters and frontmen. Joined by guitarist Neal Casal, keyboardist Adam MacDougall, bassist Jeff Hill and drummer Tony Leone, The CRB (as they are affectionally known to fans), are on the verge of their most inspired and prolific year yet.

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